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Suno AI for Musicians: How to Write Melodic Lyrics and Recognize Notes of Generated Songs
The musical world has entered a new era, and no, this is not the title of a science fiction novel. Neural network music generators like Suno AI are already creating tracks today that challenge traditional ways of writing music.
Let's figure out how to master Suno step by step, uncover its secrets, and see how it changes the game.
Happy reading (:
How to register in Suno?
To start your musical journey, you will need to register in Suno AI. It's no more complicated than creating an account on social media. Any of these accounts will do: Apple, Discord, Google, Microsoft, as well as a foreign phone number.
After logging in, you will find that Suno gives users 50 credits daily. This is enough to generate five songs in two versions — a total of ten audio files. Credits are refreshed every day, so you can create music almost without breaks. It's easy to see how many are left by looking at the bottom left corner of the interface.
Interesting fact: by registering a new account, in test mode you can create five songs on the latest model 4.0, but unfortunately, only once. Want to continue on this version? Then it's time to think about a subscription. Of course, you can also use older versions (like 3.5 or 2.0), but their sound is inferior. If you plan to create seriously, access to model 4.0 is what you need.
How to generate songs
Option 1. Description in natural language
The simplest
Write a synth-pop song with retro sounds and nostalgic lyrics.
Create a hip-hop track with the atmosphere of a nighttime city, heavy bass, and groove.
Create an epic rock song with powerful guitar riffs and hard-hitting drums for a triumphant scene.
Write a song about losing keys, a phone, and memory in one day, but not losing optimism, with a fast and energetic sound.
Suno understands many languages. Usually, the language of the generated song matches the language of your request, but you can experiment, for example:
Write a song in French about love.
Write a song in Chinese with soft sounds of traditional instruments and elements of synth-pop.
Write a song in Russian about spring.
Write a ballad in Italian about the longing for a lost love, with a blend of Western pop sounds and Eastern rhythms to complement the themes of the song.
But it is not recommended to do so, because there is a chance that the language of the generated song will still switch to the one in which your request is written.
Option 2. Parametric Language
If you want more settings, then you need to enable Custom mode. In addition to entering the text itself, in the Styles of music field, you can enter words that describe the style of music and specify which genres should be applied. To exclude unwanted styles, use Exclude styles — this is available in the paid subscription.
The song title (Title) is generated automatically if you do not enter it yourself. By the way, if you specify it, it will not affect the mood of the composition.
Text Generation in Custom Mode
When Custom mode is enabled, you can set a specific song text and customize it as you wish. Shall we start? Here’s what you need to do:
Click the Write with Suno button below the song text field.
Specify the text style. For example: Write a song about traveling in space in the style of [specific band] or Create lyrics for a rock ballad with folk elements.
Click Write Lyrics — in a second, two text options will appear. Click Accept This Option under the one you liked more.
The request length is limited to 200 characters, but even that is enough to create a unique piece.
If you are inspired by the possibility of changing something, try to assemble a song from different fragments: for example, choose a verse from one option, a chorus from another. It's like a constructor, where the parts almost always fit.
Suno offers two text generators — Classic and ReMi. Personally, I prefer this new model, ReMi: it creates deeper and more emotional texts. But be prepared that sometimes there may be profane expressions.
Before sending the generated text, it is recommended to carefully check the text: there may be impossible (or, okay, "excessively colloquial") word forms.
By the way, when composing songs, credits are not spent, which is very convenient.
As with standard generation, the Write with Suno module supports about 50 languages, including, of course, Russian.
The first generation method in Suno AI is so simple that anyone can handle it. However, this approach does not allow you to fully unleash the model's potential. And you want more control, don't you?
That’s why in this article we will focus on the Custom mode. With it, you can customize every element: text, genre, sound character, and even instruments. In general, we will talk about how to create a true musical masterpiece from scratch.
How long does generation take
The waiting time in Suno is minimal. In just a few seconds, you will be able to start listening to the generated track, even if the process is not yet complete. However, downloading the song will be possible a little later, which will take a few minutes.
If the playback of the song is slightly lagging during its generation, it is due to the step-by-step processing: Suno adds audio in parts, using the already created beginning as context.
When the generation is fully completed, you can click next to the desired track The button with three dots → Download → MP3 Audio.
Users with a paid subscription can download files in WAV format (an additional item WAV Audio will appear) for further work in audio editors. If you are creating something serious, this is definitely the best choice.
Suno version in Discord
Who would have thought, but Suno is also in Discord — just like the famous Midjourney. Just go by the link — and you are in the game. However, the interface here is not as user-friendly: commands are entered manually through the console. But if you appreciate minimalism, the Discord version will also become a cozy creative abode.
Setting the music style: genres, instruments, voice, mood
The key to creating a masterpiece is correctly specified keywords. Let's break down the main points.
Specifying the genre
The genre is the foundation of everything. It sets the overall character of the song, including instruments, tempo, and vocals. Make sure this is the first, at most the second element in the Styles of music field.
If you want to achieve a characteristic sound of the era, add a time period: for example, 1980s for music in the spirit of the eighties or 2000s for the style of the two-thousands.
Choosing a random genre
Suno recognizes a huge number of genres, you can view a sample list in the Suno Explore section of the official website.
And at the same time, choose a random one. We go to Suno Explore, scroll the mouse wheel — and voila! A cool idea is ready. As an option, we click the button with the dice in the center. A set of songs demonstrating the beauty of the selected genre will immediately play. A great solution if inspiration hasn't struck yet.
The top line in the player interface will indicate the name of the genre that has been selected, while the bottom line will show the name of one of the five demo tracks that Suno has generated in advance.
Notably, there are even more extensive lists: for example, Spotify has no less than 6300 music genres, the list of which is available at Every Noise at Once.
Genre Combinations
Don't hesitate to specify multiple genres: this won't lead to errors, just each subsequent one will have less weight during generation. Therefore, it's better to specify the most significant parameters for you closer to the beginning of the Style of music field.
How a combination of genres can be written: alternative rock, reggae, grunge.
Musical Instruments Used
Want to surprise your listeners? In the Styles of music field, you can specify specific instruments that should be played. For example: violin, synthesizer, acoustic guitar. It's not necessary to list the instruments that are already characteristic of the chosen genre, but if you do, they will appear with a higher probability.
It is worth paying attention to the section “List of musical instruments” on Wikipedia. This list covers a wide variety of instruments from traditional to modern and exotic, opening up broad horizons for creative discoveries and original musical solutions.
General Keywords
Such keywords can equally apply to the entire composition (separating keywords with commas), to the voice, and to individual instruments.
Of course, this is not an exhaustive list, as there are plenty of other adjectives and nouns in English that describe the mood of the sound.
Hidden text
pianissimo (very quiet), piano (quiet), mezzo piano (moderately quiet), mezzo forte (moderately loud), forte (loud), fortissimo (very loud) — musical terms describing the volume of sound;
specific to a certain country: for example, Russian female vocal;
conveying a genre characteristic: for example, rock piano; deep house drums; cinematic strings;
vintage — vintage sound;
happy — happy, joyful, cheerful;
joyful — joyful, exultant, ecstatic;
uplifting — inspiring, uplifting, elevating;
wistful — reflective, dreamy, longing;
mournful — mournful, sad, tragic;
euphoric — euphoric, exhilarating;
muted — muted, softened;
subtle — subtle, delicate, refined;
clear — clear, distinct, pure;
high airy — airy, light, transparent;
whispering — barely audible, quiet;
ethereal — otherworldly, ephemeral;
angelic — angelic, elevated;
powerful — powerful, strong, energetic;
robust — robust, solid, rich;
raspy — raspy, creaky;
guttural — guttural, sharp, deep;
deep — deep, rich, dense;
slow — slow, smooth, unhurried;
downtempo — meditative, relaxing, flowing;
relaxing — calming, soothing, relaxing;
serene — serene, clear, tranquil;
calming — calming, gentle;
chilled — relaxed, calm;
melodic — melodic, resonant, harmonious;
soothing — soothing, gentle, caressing;
breathy — breathy, soft, airy;
dulcet — sweet-sounding, pleasant, melodic;
resonant — resonant, sounding, harmonious;
piercing — piercing, sharp;
intense — intense, strong, expressive;
aggressive — aggressive, harsh, forceful;
energetic — energetic, active, lively;
tense — tense, anxious, sharply felt;
loud — loud, resonant, deafening;
atmospheric — atmospheric, mystical, mysterious;
lush — lush, rich, dense;
dreamy
Ways to Play Instruments
Have you ever thought that music is not just notes, but also how they sound? In Suno AI, you can set not only the mood of the instruments but also the way they are tuned or even the manner of playing. Let's figure out how to make the sound of your songs unusual.
For example, almost any instrument can be detuned. You can specify low-pitched, tuned-down, flat-tuned to "re-tune" the instrument to lower notes, or high-pitched, tuned-up, sharp-tuned for higher ones. And here's the great part: these settings can be applied even to instruments that are physically incapable of sounding that way.
Examples of keywords for detailed sound tuning:
Hidden text
palm-muted guitar — muting the strings with the palm to create a muted sound;
fingerpicked guitar — playing the guitar with fingers instead of a pick;
slapped bass — striking the bass guitar strings for a sharp and bright sound;
[instrument] tremolo picking — rapid repeated picking of a single note with a pick;
[string instrument] bow tapping — striking the strings of a violin with a bow, creating a percussive effect;
[string instrument] pizzicato — plucking the strings instead of using a bow;
[string instrument] col legno — striking the strings with the wooden part of the bow;
brushes drums — using brushes instead of sticks for a soft and airy sound of the drums;
drum rolls, percussion rolls — fast, rolling hits on a drum or other percussion instrument;
muted [instrument] — playing with a mute that dampens the sound of the instrument;
dampened cymbals — muting cymbals with a hand or object;
guitar tap, guitar tapping — producing sound by striking the guitar neck with fingers;
[keyboard instrument] glissando — sliding a finger or palm across the keys;
arpeggiated harp — playing the harp by arpeggiating the strings;
slide on [string instrument, including guitar] — sliding transition between notes;
[instrument] tremolo — rapid repetition of one or two notes;
[string instrument] staccato — detached notes.
These parameters are your path to a special sound texture. Try them in your next composition and see how much they affect the overall impression.
Sound processing methods
These adjectives will help specify a particular style of sound processing. Effects can be applied to both instruments and vocals:
Hidden text
reverbed — sound with added reverb;
chopped — fragmented sound;
phased — sound with a phaser effect creating wave-like oscillations;
flanged — with a flanger effect adding modulation and distortion;
distorted — distorted sound, often with overload;
filtered — processing with a filter to remove certain frequencies or, conversely, to emphasize frequencies;
compressed — compression of the dynamic range of sound;
side-chained — contextually jumping sound reacting to the sound of other instruments;
gated — cutting off parts above or below a certain volume;
pitch-shifted — pitch change;
time-stretched — slowed down or sped up sound;
layered — sound combined from multiple sources or layers;
delayed — processing with added delay effect;
overdriven — sound with soft or strong overload;
bitcrushed — processing with reduced bit depth for digital distortion;
resampled — reprocessing a sample at a different sampling rate;
stereo-widened — widening the stereo image for a more spacious sound;
ring-modulated — sound with a ring modulation effect creating unusual harmonics;
glitched — adding broken, distorted sound through various techniques;
subharmonized — adding subharmonics to enrich the sound;
reversed — sound played in reverse;
granulated — processing with granulation to create texture;
eq-ed — using an equalizer to emphasize or remove certain frequencies;
stereo-panned — adjusting the panning of sound between left and right channels;
modulated — adding modulation for dynamic sound changes;
saturated — saturation of sound;
chorused — with a chorus effect adding depth and width;
harmonized — sounds enhanced with additional notes;
crunchy — crunchy, overloaded sound;
thumpy — with a dense and muffled sound;
echoing — producing echo voice or instrument;
sweeping — smoothly building sound;
evolving — developing, changing sound;
enveloped — sound with an ADSR envelope overlay for controlling attack, decay, sustain, and release;
processed — processed with multiple effects;
resonant — resonant sound;
noisy — with a noisy texture;
gritty — with a rough sound;
shimmering — shimmering sound.
Song Tempo
In most cases, the genre itself suggests a suitable tempo range for the neural network, but if you want to step outside the usual, experiment. For example, create a hip-hop track with a tempo of 60bpm instead of the usual 85–95.
Tags for Marking the Structure of the Song
Tags are markers within the song text that denote the structure of the song (and sometimes sound effects, but more on that below). They are usually written in square brackets. In fact, it’s not even necessary to use them — almost always, Suno can deduce from the text itself where the different parts you meant are.
[Intro]. An introduction placed before the first verse. By the way, you can place the tag [Spoken words] next to it so that the performer reads the following in a conversational manner, without singing.
[Verse] or [Verse N] ([Verse 1], [Verse 2], etc.). Indicates a verse. We write it on a separate line before each of the verses.
[Bridge] or [Pre-chorus]. The bridge is a part of the song located between the verse and the chorus, serving as something in between. It is not present in all songs. It prepares the listener for the chorus. The bridge is often placed closer to the end of the song, between several choruses.
[Chorus] or [Chorus N] ([Chorus 1], [Chorus 2], etc.). The chorus of the song, where its climax is concentrated.
[Post-chorus]. Sounds immediately after the chorus.
[Drop] or [Break]. In the place where this tag is located, most instruments quiet down, then the music returns to its usual volume. It adds an interesting compositional transition, for example, after the chorus.
[Outro]. The ending of the song. It is useful to place this tag to indicate the outro verse, and then a descending tone will appear at this point, preparing the song for completion.
[Fade out] — a smooth fading of the music.
[Instrumental] and its synonyms [Instrumental solo], [Instrumental interlude], [Solo] — will create a musical interlude. Specifying a particular instrument is generally pointless (for example, [Piano solo]), as the neural network will likely replace it with something more typical for the genre of the generated song.
[End]. Helps avoid an unexpected cut-off of the track.
Ending of the song
Now imagine: your song is coming to an end, and then... instead of a smooth fade-out, it cuts off in the middle of a measure. Unpleasant, right? To avoid such a turn, add the tag [End] at the very end of the text.
However, if you don't add it, there are also advantages: the neural network can surprise you with unexpected repetitions of verses and choruses (which, in fact, often happens in live performances) or even include something unimaginable at the end. For example, a long interlude at the very moment when "the credits roll and everyone is leaving the cinema".
Ways to Emphasize Musical Accents
The text you enter in the Lyrics field is capable of more than it seems. Thanks to a number of vocal articulations, you can interestingly diversify the sound of the song. Let's explore which of the techniques described on the internet work one hundred percent.
Changing the Stress
Sometimes, even one letter makes all the difference. If a word is pronounced incorrectly, just write the necessary vowel in uppercase to emphasize the correct stress. For example: зАмок or замОк.
Emphasis on Individual Words
Want to make a word especially expressive? Use caps. For example: Thoughts flee, leaving only SHADOWS. Turn up the volume, and the listener's attention is guaranteed.
The Letter Ё
The placement of this letter in texts for Suno AI is not just an option, but a necessity. If you rely on chance, the neural network may read it as E even in words that seem obvious.
The Power of Punctuation
Common punctuation marks — …, !, ?, !.., ?.., ?!, — added at the end of a sentence, affect the intonation in the most predictable way, just as we apply it in writing.
To Sing the Vowels
For this, we simply increase their quantity. For example: le-to, le-e-to. Yes, it's better to write with hyphens, as otherwise there is a high probability that the word will be perceived not as a melody but as a new, non-existent word. And then this will lead to distorted pronunciation.
The number of vowels can range from 2 to infinity, and it reflects on the duration of the melody. At the same time, it is impossible to determine the exact duration in seconds in advance. For example, five consecutive vowels — especially somewhere towards the end of a verse or chorus — will produce a very prolonged sound or even a piercing scream.
The sequence of vowels can be heterogeneous — then we will get a smooth transition between them. The technique works anywhere in the word, including at the beginning or the end.
Vocalizes
Another special effect for vocals. If you want the song to sound deeper and more emotional, add vocalizes. For example, such as: U-u-u… or A-a-a! A mix of different vowels is also allowed: O-o-u-u… Vocalizes can be included directly in the text of the line or highlighted separately.
Backs
Those background voices that add volume to the songs. To create them, place words in parentheses. These can be either repetitions of words from the line or completely new inserts. Example:
My dream (and only you!) will stay with me (with me, with me).
Suno perceives such accents not only at the end of the line but also in the middle. And for back vocalizes, do it like this:
My dream (a-a-a) will stay with me (o-o-o).
Great! It will create a sound in the background, with echo or even another voice.
Line Duration
Long lines are more suitable for recitative genres, such as rap or deep house, while short ones are for melodic songs. If you want to achieve a more prolonged sound, you should make the lines shorter (and generously sprinkle them with melodies and vocalizes).
Syllable Pronunciation
If you write words as separate syllable-sentences, it will lead to choppy pronunciation. Pieces can be separated by different punctuation marks. For example:
So… Bra… Ni… I… Za! Con! Chi! Lice!
If Words Are Pronounced Incorrectly
Sometimes a word sounds completely different from what you wanted. A trick will help: write the word as it is pronounced, even if it goes against the spelling. This is especially useful for rare words, novelties, or foreign expressions. A slight deviation from the rules — and the sound is fine.
Minute of Glory
It's time to challenge Suno and create a song that would demonstrate most of the formatting techniques.
However, instead of inventing the text from scratch, I allowed myself to pay tribute to the classics. Why not turn to the great poetess Zinaida Gippius? Her poems are a melody in themselves.
Having browsed through many of her works, I selected three that are perfect for the song: "Love is One," "A. Blok," and "Electricity." (There was one more, but maybe next time.)
After that, I gathered the most expressive fragments, arranged them in the right order — the text was almost ready. Then, in one message, I fed the text to ChatGPT-4o and asked to add musical accents: word melodies, vocalizations, and backing repeats, so that the text would sound more melodic. She managed it on the first try.
Request and response from the neural network
“Indivisible is eternal”
[Intro]
[Spoken word]
Indivisible is eternal,
Elusive is clear,
Unconquerable-unchanging
Love lives — always alone.[Verse]
All this happened, it seems, for the last time (for the last time),
On the last evening, at the evening hour...
And the mad one cried in the hallway,
Begging for something from us...[Bridge]
The straight street was empty,
And you left — into it, there (there, there)...
It shimmers, it sparkles,
It is all colorful — and alone...
It is kept, it is crowned (kept, crowned...)
By the holy unity of whiteness...[Chorus]
The ends will touch —
Other “yes” and “no” (and yes, and no!)...
And “yes”, and “no”, will awaken,
Entwined with salt (will merge!),
And their death will be sweet...[Instrumental]
[Post-chorus]
Oh, oh, oh...
A, a, a...
Oh, oh, oh, a-a-a![Drop]
[Verse]
To the soul, in a wonderful unity,
One love is given...
Indivisible is eternal,
Elusive is clear,
Unconquerable-unchanging (unchanging!)
Love lives — always alone.[Chorus]
The ends will touch (will touch!) —
Other “yes” and “no” (and yes, and no!)...
And “yes”, and “no”, will awaken!
Entwined with salt — will merge...
And their death will be sweet!The ends will touch!
Other “yes” and “no”!
And “yes”, and “no”, will awaken!
Entwined will merge!
And their death will be sweet...[Post-chorus]
Oh, oh, oh...
A, a, a...
Oh, oh, oh, a-a-a![Instrumental]
[Outro]
Two threads are intertwined,
Ends are exposed...
That “yes” and “no” are not merged (not merged, no)
Not merged — entwined...
Where to find ideas for queries and keywords, and why not all tags work
Getting inspired and coming up with queries for Suno is an art. But you want to know: which keywords or tags will definitely work? And why do some of them not work as expected? Let’s think about it.
The secret, it turns out, lies in where Suno draws its skills from. Most likely, many of the original datasets of song lyrics were similar to those found on sites like Genius or AZLyrics. This explains why the tags common on these platforms are so well recognized.
If you conduct a mini-investigation and search for something like (site:genius.com OR site:azlyrics.com) "[spoken voice]"|"[solo]"|"[instrumental]"|"[phone ringing]"|[gunshots]|"[bleep]", you can see that such tags do indeed appear frequently. And in their case, Suno knows how to handle them. Coincidence?.. Who cares!
For example, the tag [bleep] appears very often. It signifies a censored swear word. This tag is almost always recognized by Suno when generating a song.
The same applies to the tags [Spoken voice], [phone ringing], [gunshots]. They are very commonly used in song lyrics, which is why their successful generation rate is high.
Of course, the structural tags will also be similar: [Intro], [Outro], [Verse], [Chorus], [Instrumental], and so on. But these tags are generally hard to write differently, so there are no questions about them.
From this, it also follows that Suno sometimes duplicates verses and choruses, as well as arranges them slightly differently than they were in the text.
After all, if you read song lyrics on the internet, they often contain similar liberties and do not fully match the original audio material: some choruses are not included, some verses are skipped, and so on. The neural network perceived this during training as a way of transformation: one thing is written, and the audio should be a bit different.
By the way, on forums and in guides, such as Suno AI Wiki and r/SunoAI, various lengths of lists of tags that can supposedly be used are often posted. But the truth is that most of them will either not work at all or will be partially taken into account. For example, a tag may suddenly play in a completely unexpected place in the song or be added somewhere you didn't plan.
Therefore, if you want to include sound effects in the song, it's better to do it during the production stage. Use a DAW (Digital Audio Workstation) — there you can add sounds exactly as you need them, without surprises.
Another question that often arises is: what new descriptions and keywords can be invented for Style of music? If the syntax of the lyrics somewhat corresponds to the sites with song lyrics, where can examples of keywords and descriptions be found?
Let's assume that during the training of Suno, part of the data was acquired from the largest audio stocks. After all, on platforms like StockMusic, Shutterstock, Adobe Stock, huge databases of tracks with carefully written descriptions and tags have already been collected. For developers, this approach is not just a salvation from routine, but also a guarantee of quality: there's no need to reinvent the wheel when you can take proven data.
These sites offer a vast amount of music for various media: feature and documentary films, commercials, video games, and much more.
It's a pity that stock sites rarely provide complete catalogs of keywords that we could browse through and select something new and unusual.
RipX is ideal for this — a tool that allows you to break down a song into its components. Want to know how each instrument sounds or change individual chords — all of this is possible.
In RipX you can:
Convert a composition into MIDI files by exporting individual instruments. Before saving, you can edit various parameters to make the MIDI conversion less sensitive and ignore very quiet notes. You can also change the volume of the notes and so on.
Replace instruments and even transform a voice into one of them. Several simple instruments are available out of the box.
Adjust notes and chords by timing or pitch, and if desired — remove some of them.
Study notes and chords, find fingerings for the guitar. The program not only shows the notes played by each of the instruments but also displays the finger positions on the fretboard for the guitar track if you want to play the track live. Life hack: rename any of the audio layers by adding “(guitar)” to the name — then it will also display the guitar fingerings.
After converting to MIDI, you can transfer the project to your favorite DAW and continue working. Assign MIDI tracks to Kontakt libraries, experiment with VST effects — and you have a completely unique track.
By default, RipX uses the graphics card for note recognition, but if it is busy, the program smoothly switches to the processor. Convenient, right?
Tips for Writing Lyrics
If you decided to write the lyrics yourself instead of trusting it to the Suno generator, I have something useful for you. These tips will help turn your idea into something truly memorable and inspiring.
Have you ever wondered why some songs instantly grab attention while others pass by unnoticed? The secret often lies in these techniques:
Define the theme of the song and its target audience. Also, consider what emotions it should appeal to — joy, sadness, nostalgia, etc.
Find the "hook," a bright textual phrase that will grab attention from the first listen. Often (but not always) the hook is also the title of the song, coinciding with it.
Add a dramatic arc: development from a calm introduction to a climax and emotional resolution.
Symbolism and metaphors are everything. They will make the text multilayered. Instead of I am sad, try The rain taps on my window like a heart. Do you feel the difference?
Use repetitions. This is one of the secrets to memorability. Repeated phrases reinforce the mood and allow the listener to easily remember the song by its key moments.
Develop elements. Let there be small changes in the repeated choruses or verses that will engage the listener, as if each part tells a little more each time.
Add a bridge to build up emotions before the chorus.
Use sound texturing techniques, such as alliteration (choosing words with similar consonants) and assonance (choosing words with similar vowels), to give the song melody and a sense of unity.
Pay attention to literature. In the lists of literary devices and rhetorical figures, you can always find something new for inspiration.
Make the text believable. Even if it's fantasy, the emotions should be sincere and understandable.
Experiment with perspective. Try to tell the story from different sides — from the first person, as an observer, or from the perspective of the object.
The first line is the key to success. It should engage immediately.
Look for inspiration in art. Movies, paintings, books, even video games can provide great ideas.
If you follow these recommendations, who knows, maybe your song will become the next hit? Now turn on your laptop and start creating (:
Applications of songs and music created in Suno
Music for video games
Music created in Suno is perfect for indie projects related to video games, including mobile ones. Thanks to fast generation, it is an indispensable source of original and high-quality works for indie game developers.
Demo versions of songs and ideas for a band
The ReMi model is a find for musicians. With the right prompt, it can generate lyrics that look and sound like real hits. Once you get the result, you can refine it in the studio and then include it in your album. Inspiration is always at hand.
Background music for videos
Planning to upload videos on Rutube and other platforms? Suno will help create the perfect background music. The Instrumental mode is especially useful, allowing you to generate a multitude of background tracks ready for editing.
Music for social media stories
Tracks generated in this neural network are indispensable as musical accompaniment for your social media stories: Telegram, VK, etc. Just specify in your request: Write a song/music for a story where... — and then describe the events happening in the video.
A song for a celebration
With Suno, you can create an original song for a celebration that will highlight the mood of the event. For example, you can ask the neural network to create a cheerful congratulatory song mentioning names and an important event. The perfect way to make the celebration even more memorable.
Thank you very much for reading! I look forward to your comments (:
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